![]() ![]() In Prelude to War, shots similar to Riefenstahl’s are played against tsk-tsking narration: “They gave up their rights as individual human beings. Army, Capra used extensive footage from axis propaganda films to illustrate their incompatibility with American values. In “Why We Fight,” a series of six documentaries he directed for the U.S. His solution was to use the footage against itself. “I could see where the kids of Germany would go any place, die for this guy,” Capra wrote. So incendiary that only two copies existed in the United States, Leni Riefenstahl’s spectacular images of hordes of goose-stepping Nazis were considered state-of-the-art propaganda. ![]() In his 1961 autobiography, Frank Capra wrote about attending a top-secret screening of Triumph of the Will shortly after the United States entered World War II, and feeling hopeless.
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